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  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/5/29/the-art-world-in-four-parts</loc>
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    <lastmod>2016-06-13</lastmod>
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      <image:title>Notes - The Art World (in Four Parts)</image:title>
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  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/5/29/this-brutal-world</loc>
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    <lastmod>2016-06-13</lastmod>
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      <image:title>Notes - This Brutal World</image:title>
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  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/6/8/troublemakers-the-story-of-land-art</loc>
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    <priority>0.5</priority>
    <lastmod>2016-06-13</lastmod>
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      <image:title>Notes - Troublemakers: The Story of Land Art</image:title>
      <image:caption>Michael Heizer’s “Circular Surface, Planar Displacement Drawing,” 1969, located at El Mirage Dry Lake. Image by Gianfranco Gorgoni and Getty Research Institute</image:caption>
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  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/6/8/paris-texas</loc>
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    <lastmod>2016-06-13</lastmod>
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      <image:title>Notes - Celebrating Robby Müller</image:title>
      <image:caption>A still from Paris, Texas (1984)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/6/12/michael-lett-now-represents-kate-newby</loc>
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    <priority>0.5</priority>
    <lastmod>2016-06-28</lastmod>
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      <image:title>Notes - Michael Lett now represents Kate Newby</image:title>
      <image:caption>Kate Newby, Two aspirins a vitamin C tablet and some baking soda, bricks, pennies and coins, silver, porcelain stones, aluminum, glass. Installation view: Laurel Doody, Los Angeles, 2015. Image: Fredrik  Nilson</image:caption>
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  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/6/27/how-to-pronounce-artists-names-vol-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-29</lastmod>
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      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/5770803cbebafbef665a60e1/1466990738139/Ed+Ruscha+Art+Valuations+Auckland</image:loc>
      <image:title>Notes - How to Pronounce Artists' Names, Vol. 1</image:title>
      <image:caption>Edward Ruscha, I CAN'T NOT DO THAT, acrylic on shaped canvas, 197 by 197cm</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/6/28/how-art-critic-jerry-saltz-does-breakfast-im-into-sweetn-low-because-its-got-a-kick</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-29</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/5771ef925016e1420b1daf52/1467084718833/Jerry+Saltz</image:loc>
      <image:title>Notes - How Art Critic Jerry Saltz Does Breakfast: “I’m into Sweet’N Low Because It’s Got a Kick”</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/6/29/the-art-of-larry-gagosians-empire</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-29</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/57736b1bb8a79be43f05786c/1467181871420/Larry+Gagosian+WSJ</image:loc>
      <image:title>Notes - The Art of Larry Gagosian’s Empire</image:title>
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  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/6/30/te-papa-halts-snell-singlet-purchase</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-30</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/577494ea579fb3507cbb5c4f/1467258157578/Peter+Snell%2C+Tokyo+Olympics%2C+1964</image:loc>
      <image:title>Notes - Te Papa halts Snell singlet purchase</image:title>
      <image:caption>Peter Snell, Tokyo Olympics, 1964</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/7/4/sam-hunt-at-70</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-07-04</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/577a16c3cd0f68c0f2484d98/1467619032694/Sam+Hunt+Salt+River+Songs</image:loc>
      <image:title>Notes - Sam Hunt at 70</image:title>
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  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/7/5/the-gluepot</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-07-05</lastmod>
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      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/577b146d725e258e7058599f/1467684017033/LBGP+Straitjacket+Fits+Gluepot</image:loc>
      <image:title>Notes - The Gluepot</image:title>
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  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/7/6/look-in-your-attics-global-hunt-for-100-missing-gottfried-lindauer-paintings</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-07-06</lastmod>
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      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/577cc8963e00be4d811b0392/1467795635270/Tamati+Wake+Nene+Lindauer</image:loc>
      <image:title>Notes - 'Look in your attics': global hunt for 100 missing Gottfried Lindauer paintings</image:title>
      <image:caption>Gottfried Lindauer; Tamati Waka Nene (detail), 1890, oil on canvas, Auckland Art Gallery Toi o Tāmaki.</image:caption>
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  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/7/7/will-self-my-writing-day</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-07-07</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/577dcfdaebbd1ac2b78bb4c7/1467863028871/Will+Self+Writer</image:loc>
      <image:title>Notes - Will Self: My Writing Day</image:title>
      <image:caption>Will self</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/7/12/a-five-point-guide-to-stanley-kubricks-cinematic-opus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-07-11</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/57842ac59f74567650df6691/1468279511288/The+Shining</image:loc>
      <image:title>Notes - A Five-Point Guide to Stanley Kubrick's Cinematic Opus</image:title>
      <image:caption>Film Still, The Shining, Stanley Kubrick</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/7/14/wright-to-auction-furniture-tableware-and-objects-from-the-philip-johnson-designed-the-four-seasons-restaurant-in-new-york</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-07-13</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/5786ba6dbe65944b87329d67/1468447359230/The+Four+Seasons+Interior</image:loc>
      <image:title>Notes - Wright to auction furniture, tableware and objects from the Philip Johnson-designed The Four Seasons restaurant in New York</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/7/15/new-evidence-on-van-goghs-ear-continues-debate-on-painters-mental-state</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-07-14</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/578816e9d2b857a47c50a325/1468536605514/Vincent+Van+Gogh%3B+Self-portrait+with+bandaged+ear%2C+1889%2C+Courtauld+Institute+of+Art</image:loc>
      <image:title>Notes - New Evidence on van Gogh’s Ear Continues Debate on Painter’s Mental State</image:title>
      <image:caption>Vincent Van Gogh; Self-portrait with bandaged ear, 1889, Courtauld Institute of Art</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/7/16/object-lessons-the-new-museum-explores-why-we-keep-things</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-30</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/57894e54b3db2b558b7fa510/1468616305850/Ydessa+Hendeles</image:loc>
      <image:title>Notes - Object Lessons: The New Museum Explores Why We Keep Things</image:title>
      <image:caption>Ydessa Hendeles, a Canadian artist, gathered thousands of photographs of people with their teddy bears for “Partners (The Teddy Bear Project).”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/8/9/a-guide-to-new-york-citys-historic-artist-studios</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-09</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/57a941eac534a5b9ea014888/1470710287370/Donald+Judd+Spring+St</image:loc>
      <image:title>Notes - A Guide to New York City’s Historic Artist Studios</image:title>
      <image:caption>Donald Judd’s former home and studio at 101 Spring Street</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/8/18/the-colourist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-18</lastmod>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/8/24/polaroids-by-andrey-tarkovsky-to-go-to-auction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-30</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/57bd511229687f7de42007ed/1472024864991/</image:loc>
      <image:title>Notes - Polaroids by Andrey Tarkovsky to Go to Auction</image:title>
      <image:caption>A polaroid by Tarkovsky.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/8/25/tea-at-the-beatrice-with-glenn-obrien</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-30</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/57be60baff7c507ea1ca3db1/1472094402688/</image:loc>
      <image:title>Notes - Tea at the Beatrice with Glenn O'Brien</image:title>
      <image:caption>Glenn O'Brien and Jerry Saltz</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/8/30/a-monument-to-outlast-humanity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-30</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/57c4fac21b631b5c58ed370b/1472527052950/</image:loc>
      <image:title>Notes - A Monument to Outlast Humanity</image:title>
      <image:caption>Heizer, a pioneer of the earthworks movement, began “City” in 1972. A mile and a half long and inspired by ancient ritual cities, it is made from rocks, sand, and concrete mined and mixed on site.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/9/9/the-bauhaus-collection-at-harvard-art-museums</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-09-08</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/57d1d719197aea6d03ef618c/1473369893354/</image:loc>
      <image:title>Notes - The Bauhaus Collection at Harvard Art Museums</image:title>
      <image:caption>Wilhelm Wagenfeld, Coffee and Tea Service: 5-Piece Set, Harvard Art Museums</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/9/12/inside-santa-monica-high-a-student-photographer-documents-the-timeless-rituals-of-high-school</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-09-11</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/57d5e113893fc0cb7a0e39f9/1473634597246/Watching+a+skate+video+during+lunch.+From+left%3A+Addison%2C+16%3B+Logan%2C+16%3B+Kalani%2C+16</image:loc>
      <image:title>Notes - Inside Santa Monica High : A student photographer documents the timeless rituals of high school</image:title>
      <image:caption>Watching a skate video during lunch. From left: Addison, 16; Logan, 16; Kalani, 16</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/57d5e2d3725e254062274be7/1473635047334/Hanging+out+at+our+local+skate+spot%2C+Stoner+Park%2C+which+is+actually+its+official+name.+It%E2%80%99s+on+Stoner+Avenue.+From+left%3A+Cooper%2C+16%3B+Tristan%2C+15.</image:loc>
      <image:title>Notes - Inside Santa Monica High : A student photographer documents the timeless rituals of high school</image:title>
      <image:caption>Hanging out at our local skate spot, Stoner Park, which is actually its official name. It’s on Stoner Avenue. From left: Cooper, 16; Tristan, 15.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/9/13/five-japanese-ceramicists-who-are-living-national-treasures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-09-13</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/57d78028197aea1aefc3d784/1473740854973/Ito+Sekisui+V+Mumyoi+Jar+Sado+Island%2C+2012</image:loc>
      <image:title>Notes - Five Japanese Ceramicists Who Are Living National Treasures</image:title>
      <image:caption>Ito Sekisui V, Mumyoi Jar Sado Island, 2012</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/9/14/farewell-etaoin-shrdlu-the-last-day-of-hot-metal-typesetting-at-the-new-york-times</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-09-14</lastmod>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/9/20/kerry-james-marshall-boldly-repainting-art-history</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-09-20</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/57e0c4d6e4fcb52ffba30abc/1474348295382/</image:loc>
      <image:title>Notes - Kerry James Marshall, Boldly Repainting Art History</image:title>
      <image:caption>Kerry James Marshall, De Style, 1993</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/9/26/the-quiet-power-of-maya-lin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-11-08</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/57e8985a3e00be6f7cf0a2ea/1474861162018/Maya+Lin+Wave+Field+Storm+King</image:loc>
      <image:title>Notes - The Quiet Power of Maya Lin</image:title>
      <image:caption>Maya Lin, Storm King Wavefield, 2007-2008. Earth and grass, 240,000 square feet (11-acre site) Storm King Art Center, Mountainville, New York. Photograph by Jerry L. Thompson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/10/17/conceptual-arts-most-ardent-fan-50-years-in</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-17</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/580466003e00be5b9aa4683b/1476683274703/Paula+Cooper</image:loc>
      <image:title>Notes - Conceptual Art’s Most Ardent Fan, 50 Years In</image:title>
      <image:caption>Paula cooper in New York, April 1983. Portrait by Leslie Schulman</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/10/24/dakis-joannou-a-story-of-a-collector-told-through-four-works-in-his-collection</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-24</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/580dd6ebd1758e790725ec00/1477302015463/Tim+Noble+and+Sue+Webster+in+Hydra+aboard+Dakis+Joannou%E2%80%99s+yacht.+1999.+Photo%3A+Dakis+Joannou</image:loc>
      <image:title>Notes - Dakis Joannou: A Story of a Collector Told Through Four Works in His Collection</image:title>
      <image:caption>Tim Noble and Sue Webster in Hydra aboard Dakis Joannou’s yacht. 1999. Photo: Dakis Joannou</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/580dd8e6cd0f68322967a980/1477302527006/</image:loc>
      <image:title>Notes - Dakis Joannou: A Story of a Collector Told Through Four Works in His Collection</image:title>
      <image:caption>From left to right: Jeff Koons, Dan Friedman, Jeffrey Deitch, and Dakis Joannou in Hydra (1987). Photo: Lietta Joannou.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/10/25/dealers-hand-why-are-so-many-people-paying-so-much-money-for-art-ask-david-zwirner</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-25</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/580f0a9bd1758ebb6aa9678e/1477380778422/</image:loc>
      <image:title>Notes - Dealer's Hand: Why are so many people paying so much money for art? Ask David Zwirner.</image:title>
      <image:caption>Zwirner at home, with a painting by Raymond Pettibon. “Nobody’s selling expensive stuff like we do with the frequency we do,” Zwirner said. “This is an industry in its golden age.” Photograph by Pari Dukovic.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/11/7/seeing-secrecy-trevor-paglen-makes-art-out-of-military-intelligence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-11-07</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/581fce8503596e90590f3bbb/1478479503195/</image:loc>
      <image:title>Notes - Seeing Secrecy: Trevor Paglen Makes Art out of Military Intelligence</image:title>
      <image:caption>Trevor Paglen, Untitled (Predator Drones), 2013. C-Print.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/11/8/william-eggleston-the-pioneer-of-colour-photography</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-11-08</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/58213226cd0f68331db4aa6c/1478570569868/</image:loc>
      <image:title>Notes - William Eggleston, the Pioneer of Colour Photography</image:title>
      <image:caption>William Eggleston by Wolfgang Tillmans</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/11/17/london-bridges-are-lighting-up</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-12</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/584e0454c534a59865865fbf/1481507931746/</image:loc>
      <image:title>Notes - London Bridges Are Lighting Up</image:title>
      <image:caption>Leo Villareal and Lifschutz Davidson Sandilands will illuminate 17 bridges along the Rover Thames with a scheme called Current. Photo: Leo Villareal and Lifschutz Davidson Sandilands</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/11/23/the-factory-of-fakes-how-a-workshop-uses-digital-technology-to-craft-perfect-copies-of-imperilled-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-11-23</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/5834f43bd482e9575ff1480c/1479865423056/</image:loc>
      <image:title>Notes - The Factory of Fakes: How a workshop uses digital technology to craft perfect copies of imperilled art.</image:title>
      <image:caption>The Factum Arte warehouse, in Madrid, is filled with copies of treasured art works, including a facsimile of an Assyrian winged lion that once stood in Nimrud—a site, in Iraq, that has been largely destroyed by isis. Photograph by Henrik Spohler for the New Yorker</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/12/2/sothebys-to-offer-one-of-the-most-valuable-english-books-to-appear-at-auction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-01</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/584095c403596eb02f6d23f0/1480627659335/</image:loc>
      <image:title>Notes - Sotheby's to offer one of the most valuable English books to appear at auction</image:title>
      <image:caption>The Bute Hours. An Extraordinary Medieval English Books of Hours. Estimated at £1.5 - 2.5 million. Photo: Sotheby's.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/12/5/the-light-installation-dan-flavin-designed-for-calvin-klein</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-04</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/5844987d9f7456bcf35b3480/1480890522674/</image:loc>
      <image:title>Notes - The Light Installation Dan Flavin Designed for Calvin Klein</image:title>
      <image:caption>Dan Flavin's "untitled," created in 1996 for Calvin Klein and on view now at the brand's Madison Avenue store.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/12/8/an-animated-guide-to-the-bronze-age-technique-of-lost-wax-casting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-08</lastmod>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/12/12/an-artistic-discovery-makes-a-curators-heart-pound</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-12</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/584e022cb3db2b3cd0e0238e/1481507381585/</image:loc>
      <image:title>Notes - An Artistic Discovery Makes a Curator’s Heart Pound</image:title>
      <image:caption>A drawing, from around 1482, that a Metropolitan Museum of Art curator says is by Leonardo da Vinci. An auction house values it at 15 million euros, or about $15.8 million.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/12/13/philip-glass-looks-back-on-decades-of-bringing-music-to-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-12</lastmod>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/12/13/shot-in-the-name-of-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-13</lastmod>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2016/12/14/hera-lindsay-bird-i-prefer-poetry-that-allows-room-for-ugliness-and-error</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-14</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/5850b656be659475263c5030/1481684582607/</image:loc>
      <image:title>Notes - Hera Lindsay Bird: I prefer poetry that allows room for ugliness and error</image:title>
      <image:caption>Hera Lindsay Bird has been the fastest selling, and the most popular book of poetry VUP, has ever published.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2017/1/2/the-risky-business-of-restoring-leonardos</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-01-02</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/5869979920099ecdf7a1105f/1483315105224/</image:loc>
      <image:title>Notes - The Risky Business of Restoring Leonardos</image:title>
      <image:caption>Leonardo da Vinci’s “Saint John the Baptist” (c. 1513–16)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2017/1/17/andy-warhols-self-conscious-and-perfect-bodies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-01-16</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/587d4a43e58c62775cae3ace/1484606028996/</image:loc>
      <image:title>Notes - Andy Warhol’s Self-Conscious and Perfect Bodies</image:title>
      <image:caption>Richard Avedon; Andy Warhol, New York City, August 14, 1969.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2017/1/26/the-power-of-two-the-woman-behind-colin-mccahon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-01-26</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/58894f3a1b631be856efe1ba/1485393757499/Anne+McCahon</image:loc>
      <image:title>Notes - The power of two: The woman behind Colin McCahon</image:title>
      <image:caption>Anne Hamblett; Still Life with Flowers in Blue Pot, unknown date, oil on canvas, 615 x 480mm (including frame). Private collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2017/2/2/how-do-you-sell-a-work-of-art-built-into-the-earth</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-01</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/58926e43e4fcb53c9151b6f3/1485991511503/</image:loc>
      <image:title>Notes - How Do You Sell a Work of Art Built Into the Earth?</image:title>
      <image:caption>Robert Smithson’s “Broken Circle/Spiral Hill” in Emmen, a town in the Netherlands.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2017/2/3/the-first-known-printed-bookplate</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-03</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/5893e4708419c2f64773c014/1486087299268/</image:loc>
      <image:title>Notes - The First Known Printed Bookplate</image:title>
      <image:caption>Unknown artist, bookplate for Hilprand Brandenburg of Biberach, woodcut, black printing ink, and hand colouring on paper (Germany, 1480). Bookplate is in Jacobus de Voragine’s Sermones quadragesimales (Bopfingen, Württemberg, 1408), on view in The Art of Ownership at the Rosenbach Museum and Library.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2017/2/3/inside-the-studio-of-catalan-ceramicist-and-mir-collaborator-joan-gardy-artigas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-03</lastmod>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2017/2/8/sam-hunt-at-70-lines-for-another-year</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-08</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/589a9f75b8a79bc65c352597/1486528386319/</image:loc>
      <image:title>Notes - Sam Hunt at 70: Lines for another year</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2017/2/28/the-intimate-lens-of-ed-van-der-elsken</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-27</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/58b4bbaf20099e8b54a8fd0c/1488239547146/</image:loc>
      <image:title>Notes - The Intimate Lens of Ed van der Elsken</image:title>
      <image:caption>Ed van der Elsken; Girl in the Subway, Tokyo, 1984.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2017/3/1/the-emotional-pull-of-len-lyes-motion-sculptures-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-28</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/58b5f16d5016e1efa0c09b3f/1488318856154/Len+Lye</image:loc>
      <image:title>Notes - The Emotional Pull of Len Lye’s Motion Sculptures</image:title>
      <image:caption>Len Lye; Moon Bead (1968)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2017/3/4/the-brooklyn-museum-looks-at-georgia-okeeffes-style</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-03-04</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/58ba4157c534a5c4ae3282b9/1488601444924/Art+valuer+Auckland</image:loc>
      <image:title>Notes - The Brooklyn Museum Looks at Georgia O’Keeffe’s Style</image:title>
      <image:caption>Alfred Stieglitz, Georgia O’Keeffe, Prospect Mountain, Lake George, (1927), gelatin silver print</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2017/3/5/lou-reed-archives-head-to-new-york-public-library</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-03-05</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/58bb616659cc68b96961f60c/1488675194968/Auckland+Art+Value</image:loc>
      <image:title>Notes - Lou Reed Archives Head to New York Public Library</image:title>
      <image:caption>Philip Greenburg, Lou Reed in a Manhattan hotel room in 1993.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2017/3/14/the-body-laid-bare-masterpieces-from-tate-comes-to-auckland</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-03-14</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/58c75517579fb3673e6bcdec/1489458464113/Auckland+Art</image:loc>
      <image:title>Notes - The Body Laid Bare: Masterpieces from Tate comes to Auckland</image:title>
      <image:caption>Auguste Rodin, Le Baiser, pentelican marble, 1822 x 1219 x 1530 mm.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2017/3/21/the-opulent-world-of-qatari-falconry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-03-21</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/58d0885dd2b857a565d35cd4/1490061420324/Art+Value+Auckland</image:loc>
      <image:title>Notes - The Opulent World of Qatari Falconry</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/58d0887e893fc0d483aeadfc/1490061456311/Art+Value+Auckland</image:loc>
      <image:title>Notes - The Opulent World of Qatari Falconry</image:title>
      <image:caption>Still from The Challenge (2016), directed by Yuri Ancarani (all images courtesy Atopic Films, Dugong Production, La Bête, Ring Film)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/58d087bfcd0f68e7f35cec6d/1490061260491/Art+Valuer+Auckland</image:loc>
      <image:title>Notes - The Opulent World of Qatari Falconry</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2017/3/21/gordon-walters-website-launched</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-03-21</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/58d0d6e317bffced4336536e/1490081517830/Gordon+Walters</image:loc>
      <image:title>Notes - Gordon Walters Website Launched</image:title>
      <image:caption>Gordon Walters, Untitled, 1978, P.V.A. and acrylic on canvas, 1500 x 1200mm. Image Courtesy of Starkwhite and the Walters Estate.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2017/4/29/vito-acconci-1940-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-04-29</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/5904280929687f041c9e9ccf/1493444631523/</image:loc>
      <image:title>Notes - Vito Acconci 1940-2017</image:title>
      <image:caption>Vito Acconci, New York City, 1984 © Chris Felver/Bridgeman Images</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2017/5/17/the-bold-female-sculptor-who-inspired-rodins-most-sensual-work</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-05-17</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/591bc24b3e00be6c23ff9f02/1494991486140/Camille+Claudel%2C+La+Valse%2C+gr%C3%A8s+d%E2%80%99Emile+Muller%2C+mus%C3%A9e+Camille+Claudel%2C+Nogent-sur-Seine</image:loc>
      <image:title>Notes - The Bold Female Sculptor Who Inspired Rodin’s Most Sensual Work</image:title>
      <image:caption>Camille Claudel, La Valse, grès d’Emile Muller, musée Camille Claudel, Nogent-sur-Seine</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2017/7/5/when-alberto-giacometti-met-samuel-beckett</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-05</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/595c948e6b8f5ba9a835f4fd/1499239673675/</image:loc>
      <image:title>Notes - When Alberto Giacometti met Samuel Beckett</image:title>
      <image:caption>Samuel Beckett and Alberto Giacometti in 1961</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2017/11/4/joan-didion-the-center-will-not-hold</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-04</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/59fd08e664265f6a40fe0f24/1509755222538/img-holdingjoandidion_154139774659.jpg</image:loc>
      <image:title>Notes - Joan Didion : The Center Will Not Hold</image:title>
      <image:caption>Julian Wasser; Joan Didion, 1968</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/notes/post/2017/11/19/inside-paul-czannes-studio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-18</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/5a10b818c8302511612a6d5e/1511045186621/joel_meyerowitz_cezannes_objects_untitled_2.jpg</image:loc>
      <image:title>Notes - Inside Paul Cézanne’s Studio</image:title>
      <image:caption>Interior view of Cézanne's atelier</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/home</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2017-08-22</lastmod>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/appraisal-services</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-11-19</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/589ce97fe58c62750d54af0f/1486678506399/%E2%80%9CArchives+New+Zealand+Lower+Level+Three+Stacks%E2%80%9D+by+Archives+New+Zealand+is+licensed+under+CC+BY+2.0</image:loc>
      <image:title>Appraisals</image:title>
      <image:caption>Archives New Zealand Lower Level Three Stacks, image care of Archives New Zealand.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/5a10d072e4966b5d534359da/1511051744226/Euge%CC%80ne_von_Gue%CC%81rard_-_Lake_Wakatipu_with_Mount_Earnslaw%2C_Middle_Island%2C_New_Zealand_-_Google_Art_Project.jpg</image:loc>
      <image:title>Appraisals</image:title>
      <image:caption>  Eugène von Guérard, Lake Wakatipu with Mount Earnslaw, Middle Island, New Zealand, oil on canvas, 991 x 1765 mm. Collection of  Auckland Art Gallery Toi o Tāmaki.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-11-12</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/58b77510d482e92f9ae65298/1488418090832/Auckland+art+appraisals</image:loc>
      <image:title>About</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/contact</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-11-19</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/5a10d25c0d92977795531ee6/1511051932740/Auckland+art+valuation</image:loc>
      <image:title>Contact</image:title>
      <image:caption>Sydney Parkinson, The head of a chief of New Zealand, the face curiously tataow'd, or marked according to their manner, hand-coloured engraving, 1784.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ashleyassociates.co.nz/consultancy</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-03-05</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5702ee92c2ea51877546fa96/t/58ba44af893fc04255941629/1488602349544/Kate+Newby</image:loc>
      <image:title>Consultancy</image:title>
      <image:caption>Kate Newby, I memorized it I loved it so much, 2015, Laurel Gitlen, New York: Installation view. Materials: wood, boulder, wax, concrete, mulberries, paint, ceramic and metal stones.</image:caption>
    </image:image>
  </url>
</urlset>

